,

Deep Cuts: The Bromley Contingent and Then Some

There are a few revered flashpoints in rock and roll history, those moments that sparked the audience to go out and form their own bands — The Beatles appearing on Sullivan, for example.  For a handful of English kids  the rally point may have been The Sex Pistols first ever concert, opening for Bazooka Joe at a show at St.…

There are a few revered flashpoints in rock and roll history, those moments that sparked the audience to go out and form their own bands — The Beatles appearing on Sullivan, for example.  For a handful of English kids  the rally point may have been The Sex Pistols first ever concert, opening for Bazooka Joe at a show at St. Martin’s College in November 1975.  Bazooka Joe’s bassist?  Stuart Goddard, later known as Adam Ant.

But wait, that’s sort of a false start.  Roughly six months later the Pistols played a show at Free Trade Hall in Manchester, and that’s when things really get moving.  Future members of The Fall, The Smiths, Joy Division, New Order, The Buzzcocks, and Magazine were at that gig.   A small group of rabid fans/hangers-on quickly formed around The Pistols that included Siouxsie Sioux, Steve Severin, and Billy Idol.  This little grouping of groupies eventually was christened “The Bromley Contingent.”

So love them or hate them, The Sex Pistols were the catalyst for a tremendous amount of music.  Here are some of my favorites from that lineage:


“Car Trouble (Part 2),” Adam and the Ants:  Bazooka Joe’s Stuart Goddard reinvented himself as Adam Ant, one of the biggest pop stars of the Eighties.  This is my favorite cut off of 1979’s Dirk Wears White Sox.

“Blindness,” The Fall:  The Fall’s catalog is huge, a very prolific band.  I’d recommend checking out Henry Rollins’s “Fanatic” books for some great write-ups, as Rollins is a true Fall fanatic.   I think that this is a particularly cool track.  The Fall’s Mark E. Smith attended the  Pistol’s legendary Manchester show.

“Death Of A Disco Dancer,” The Smiths:  Morissey is said to have been at the Manchester gig, too.  This track off of Strangeways Here We Come has always been my favorite, and will always remind me of my time working at Record Bar in Savannah, Georgia circa 1987 — but that story is for another day.

“Ever Fallen In Love,” The Buzzcocks:  I am doing a horrible job of bringing the deep cuts today, but this is such a nice bit of footage I can’t pass it up.  Besides, I suppose there might be a few people out there who aren’t familiar with The Buzzcocks, and this is definitely the place to start.  Free Trade Hall gig attendees:  Howard Devoto and Pete Shelley.

“A Song From Under the Floorboards,” Magazine.  Another legendary Howard Devoto band.  Love the bass line in this song.

“Cities In the Dust,” Siouxsie and the Banshees:  Oh, to hell with it.  Who needs deep cuts anyway?  Let’s just revel in the greatness.  My all-time favorite track from Bromley Contingent originals Siouxsie Sioux and Steven Severin.

“She’s Lost Control,” Joy Division:  Peter Hook and Bernard Sumner were at the Manchester gig, too. 

“Blue Monday,” New Order:  From the ashes of Joy Division came New Order.  Confession time:  I was never a fan — just not my style — but 1987’s compilation  Substance is another one of those albums that conjures my time behind the counter at Record Bar in Savannah.  Remind me to tell you about the time we had a mini-riot when rappers The Fat Boys made an in-store appearance.  Incidentally, The Fat Boys were not at the Pistols’ June 4, 1976 Manchester show.  Just sayin’.

“Right To Work,” Chelsea:  Bromley Contingent member Billy Idol had brief tenures in Siouxsie and the Banshees and Chelsea before forming Generation X with Tony James.  “Right to Work” was Chelsea’s first single, released in 1977.  Sadly, it’s still relevant in 2011.

“King Rocker ,” Generation X:  Not my favorite Gen X song, but worth a look just for a mulleted Billy Idol.

Responses to “Deep Cuts: The Bromley Contingent and Then Some”

  1. Deep Cuts: Paradise Songs | Why It Matters

    […] West,” Generation X. Another entry from the Bromley Contingent, this time from Siouxsie’s old mate, Billy […]

    Like

  2. 130. Water Was Running, Children Were Running « Why It Matters

    […] and the Banshees came to Charlotte that summer.  Unheard of — one of the Bromley Contingent just seventy miles up the highway.  There was no way Lee G. and I were going to miss that.  That […]

    Like

  3. James Stafford

    It’s my pleasure to serve. He made some brilliant music. He also made “Strip” 🙂

    Like

  4. auroramorealist

    Blast from the past, forgot all about Adam Ant, oh I know, how could I, lol. Thanks for the vids, some nice memories revisited 🙂

    Like

  5. James Stafford

    Ah, beautiful. Glad to hear they’re still out there getting it done.

    Like

  6. Simon (@SimonJ68)

    Saw the Buzzcocks last year, still good.
    Also “Ever fallen in love…” was the first track we played at our wedding, nearly 10 years ago and still going well

    Like

  7. James Stafford

    I am going to do my best to conceal my envy that you saw The Buzzcocks. That’s absolutely brilliant.

    Like

  8. Jamie

    Brilliant collection of music there!
    Siouxsie was amazing and really stood out at the time with her voice.
    The Buzzcocks I saw at university and were such a fun band.
    Billy Idol was such a curious mix – part punk, part Elvis!
    New Order? My favourites of all time. Sumner and Hook are awesome. They even made the best ever football (soccer) song for a World Cup event in the 90s. The videos with their music were incredible too.
    Great post, brought back very happy memories!

    Like

  9. James Stafford

    Another great reason music matters: It lets you try on different suits of clothes.

    Like

  10. laura b.

    This will have to be one of my favorite posts. I was never a real wild, bohemian girl but this music always made me feel like I could be. This music was the me I wanted to be.

    Like

  11. James Stafford

    Ah, good on ya. I never considered my use of “deep cuts” as having a subtext. I’m going to run with that, thank you.

    Like

  12. milokilledpunk

    Punk is my soul… counterintuituve, disharmonious, often without placating the listener with satisfying melody or familiar harmony. Dischord. No wonder artists used punk as a platform to be improved…

    Thank you, James… as always. Deep cuts also describe sweet scars left by life-altering song.

    Like

Leave a reply to laura b.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Blog at WordPress.com.