It’s six o’clock Monday morning. The sun is up and the kids are clearing out, going back to their jobs, schools, worried parents. Some are just wiped out from a long weekend of too much music, rain, and dope, and too little food.
Regardless, the crowd is clearing out, which is a goddamned shame because the Paul Butterfield Blues Band is about to kick some ass.
Paul Butterfield was no blue-eyed blues wannabee. Raised in Chicago, Butterfield had access to the likes of Muddy Waters, Little Walter, and Howlin’ Wolf. Along with his buddy, Elvin Bishop, Butterfield learned Chicago Blues at the feet of giants.
The first incarnation of the Paul Butterfield Blues Band included a couple of Howlin’ Wolf’s guys, Bishop, Butterfield, and guitar legend Mike Bloomfield. By 1969 Butterfield was the only original member, so it was a new Butterfield Blues Band that played Woodstock — no Elvin Bishop or Mike Bloomfield, but future saxophone superstar David Sanborn was in the brass section. They were touring behind the album Keep On Moving, which accounts for three of the seven songs in their set.
I’m not sure why none of their set found its way into Wadleigh’s documentary or the original soundtrack. Butterfield was signed to Elektra – a Warner Brothers subsidiary — so their omission probably wasn’t a label issue. Some Woodstock observers contend that their performance as not one of their best, so that’s a possibility. I don’t know, I like their set. (Ed: “Love March” appeared on the original Woodstock soundtrack.)
If I had to guess (and I don’t, but I will) I’d say that the Paul Butterfield Blues Band didn’t make the cut because they didn’t really stand out. They weren’t huge names like The Who or Hendrix, nor were they flamboyant like Sly and the Family Stone — just rock solid Chicago blues served up at 6 a.m. on a Monday.
Paul Butterfield survived the sixties, but in 1987 at age 44 his drug use finally caught up with him. A few years ago his family formed the Paul Butterfield Fund and Society in his honor, which both protects his legacy and does some educational work. You can find the PBFS on both MySpace and Facebook.
Here’s the Paul Butterfield Blues Band’s complete Woodstock set list and where you can find official (and not so official) recordings:
- Born Under a Bad Sign
- No Amount of Loving (Woodstock 40 Years On: Back to Yasgur’s Farm (CD)
- Driftin’ Blues (Youtube)
- Morning Sunrise (Woodstock: The Ultimate Director’s Cut, Ultimate Collector’s Edition (DVD))
- All in a Day
- Love March (Woodstock 40 Years On: Back to Yasgur’s Farm (CD))
- Everything’s Gonna Be Alright (Woodstock 40 Years On: Back to Yasgur’s Farm (CD)
Your official (and bootleg) Woodstock soundtrack song count to date: 194
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Update: On August 2, 2019, Rhino Records released Woodstock – Back to the Garden: The Definitive 50th Anniversary Archive and changed the game forever. With exception to two Hendrix tracks and one Sha Na Na cut, the massive box set contains complete sets from every Woodstock artist—even those long believed lost or never recorded.
Here is the Butterfield Blue’s Band‘s set as it appears on the Back to the Garden archive, including announcements, etc.:
1. Chip Monck – “Doriza of Utica”
2. BORN UNDER A BAD SIGN
3. NO AMOUNT OF LOVING
4. DRIFTIN’ AND DRIFTIN’
5. MORNING SUNRISE
6. ALL IN A DAY
7. LOVE MARCH
8. EVERYTHING’S GONNA BE ALRIGHT
9. Chip Monck – “Good morning”
Categories: Music, record collecting
Those of us who were waaaay too young to know anything first hand about Woodstock wouldn’t usually associate it with straight Blues music. In my mind it’s all psychedelics, Hendrix, CSNY etc…
Interesting insight here. Must admit I’m not familiar with Paul Butterfield but I’m checking out ‘Born Under a Bad Sign’ as we speak.
Hope you enjoy, Phil. Butterfield was a master of Chicago blues, so there’s a lot to love there.
The great Buzzy Feiten on guitar and Brother Gene Dinwiddie on tenor.
Good on ya, Pat! Great shout outs there.
But “Love March” WAS on the original soundtrack!
You’re right that they were supposed to play Sunday, but the show famously ran long and Butterfield, Sha Na Na, and Hendrix all played Monday morning.
In all fairness, “Love March” was on the original Woodstock Album, which was where most people learned about the Woodstock music.
You’re absolutely right about that, Jim. I should fix that.
Elektra published the complete Woodstock set in 2015, copyright Rhino Entertainment company (081227951955-13) but the cover calls it “Live in White Lake” which neighbors Bethel.
I was curious if anyone knew how much PBB was paid for the Woodstock gig. They had a big band, and are one of two artists whose compensation is not readily found on line. Oh, and the album from electra has the date of the performance 8/18/69 with absolutely no reference to Woodstock. Must have been a licensing issue, eh?