The Sword’s set on Aftershock’s east stage was rock solid, but something else caught my attention.
I couldn’t keep my eyes off of John Cronise’s Gibson Les Paul Recording. I don’t know whether his was vintage or one of the recent reproductions, but it’s an incredibly cool guitar. I felt like I’d spotted a rare bird in its native habitat.
Unfortunately, I didn’t get many usable photos of The Sword’s set. You win some, you lose some.